Spurred by this comment:
"if no one was making music for 10 year olds what would they listen to? Why should a kid's illusions be shattered by songs of heartache, sex etc etc...We don't force children to watch The Sopranos, if they have a fondness for The Wiggles."
by chunnsta I began pondering the difference in ethos betwen the music and Telly industries. Why are youngsters (down to the age of preschool) considered a viable market for television producers/creators/programmers to aim for but not musicians? Many, MANY pop (and occasionally rock) acts are consistently ridiculed for 'appealing to the teeny boppers'.
Have you ever seen anyone mock a TV craftsman for making a kickass kids programme? Didn't think so. Children's programming is viewed as a relevant demographic and an area which can require skill and intelligence to make. Yet anyone making music for young 'uns is automatically blacklisted by the 'serious' members of the music community.
I haven't really got an opinion at all, I'm just wondering what you all think about this?


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I think there may be a problem in some ...
I think there may be a problem in some bands' perceptions of themselves. For example, I've heard Rubicon getting all distressed and trying to tell people that the rest of their album is more "Nirvana-esque", in spite of consistently releasing quirky tunes and videos that appeal to a younger audience.
I remember True Bliss trying to claim that they're not a manufactured band - they're "Real Musicians". I really liked True Bliss, they are bloody good singers, I liked the tunes they released at the time, but I didn't have any respect for either of the members who made that comment.
My point is that a musician should be reasonably happy to embrace their background and their demographic. However, there is still a bit of snobbery I think, in the industry, and a lot of bands believe that they should be appreciated by a "more discerning" audience. It's not so much that musicians are ridiculed for 'appealing to the teeny boppers' - the problem seems to be more that no band *wants* to appeal to the teeny boppers.
That said though, I've just thought about the snide comments (some from myself) about Avril Lavigne...even though she's specifically directing her marketing at her own age group and younger, I still don't like her a helluva lot.
Perhaps we'd be better off in this country if we did find a lot more local acts to fill the teen and preteen markets - get our younger generations interested in music that is more appropriate to our own culture. Dare I say it, maybe we need more bands like True Bliss.
We need you to step up and be the kiwi ...
We need you to step up and be the kiwi Avril Lavigne, Heather :)
Can't sing, can't play, can't write ...
Can't sing, can't play, can't write songs.
Hold on a minute - I guess that makes me the perfect candidate...
Dammit... valid points... that kinda ...
Dammit... valid points... that kinda kills my re-emergence as the kiwi Justin Timberlake plan. Dammit.
Nice Heather. However, do you think ...
Nice Heather.
However, do you think that bands' desperation to procaim themselves 'serious' is a byproduct of an industry and culture which sneers on music made for young uns? If the TV industry treated kiddies progs as trash, then do ya reckon the makers would be scrambling to define themselves as 'serious yet fun entertainment, suitable for the whole family!!'. I think so. But it's not like that, and I am interested in working out the reason why.
It was the whole Avril Lavigne thing ...
It was the whole Avril Lavigne thing that made me think there was a flaw in my argument. Yeah, maybe we are quite hard on "kids' entertainers". Personally, I'd respect anyone who stood up and said "look, we're just trying to make great music that can be played at blue-light discos and to be good role models for preteens; if you don't like it go listen to HDU", but I guess I can't speak for the greater public.
But I think the only kiwi bands that have expressed a specific interest in their younger audience are those who already have widespread appeal. I think bands like Nesian Mystik are really stoked to be able to communicate with the kids in West Auckland, but heaps of different people love their music, with good reason.
I guess ultimately, even if some bands stepped up for the preteen demographic, then ultimately you'd get a bunch of "kids' bands that we hate because they're crap" and a few "kid's bands that aren't kids' bands any more because they're so damn awesome"
Actually, the UK have done OK. Bands like Steps and S-Club-7 are pretty well-respected by everyone over there, and their concerts are attended by kids with their parents. Even here they seem to be acknowledged as good kids' acts, and they certainly don't get nearly as much flack as Lavigne. Perhaps that is just a cultural difference. If there were more bands here that took their cue from the sclub, and added a kiwi flavour, probably they wouldn't get quite so much of the negative pressure you're suggesting.
isint the point of music to bring out ...
isint the point of music to bring out emotions??be it relaxing, hate whatever
what can subtle "everydayish" music bring out
I think it might have something to do ...
I think it might have something to do with the way musicians in this country define themselves. Music is art. We present our music as art, and therefore want it to be accepted by people who appreciate art - which does not really include teenie-boppers.
The question of artist or entertainer leaps up...
So you don't think Television ...
So you don't think Television production is an art?
That's not a prickly question by the way.
So is that Art or art ... Art as in ...
So is that Art or art ...
Art as in Artist or art as in artisan.
The "Artist with a capital "A"" has always struck me as a rather pretentious appelation for a musician ... or is that "Musician?" The earliest professional (in the sense of this is what I do to live) musicians were the jugglers, minstrels and troubadours. They quickly came to realise that if they were to survive then they must entertain first and foremost.
The concept of the professional musician as Artist is very much a 20th century idea ... but at the heart of the matter is if a musician wants to survive by his skill then he must entertain his audience. This is not to say that he cannot try to impart a message or new idea in his music, but the message will have no vehicle if the audience chooses not to listen.
And I am not so sure that musicians in NZ define themsleves as artists. Some may individually, but I have met a fair few who would laugh in your face and spit in your beer if you called them an artist. Like it or not I strongly suspect that many of the performers in the NZ music industry would be more than happy if their music was accepted by the teeny-bopper demographic ... they would certainly make a little more money out of the whole deal if that were the case. In fact many of the contributors to the forums here fall into that very demographic and they often make more sense than a lt of others.
As for whether television production is an art, by definition it is. art can be defined as skill or any specifi skill or its applications. any craft or profession. So yes it is an art ... but is it "Art?"
There's a television network in the US ...
There's a television network in the US that's doing a new reality show called "The Surreal Life". I haven't seen it, I'll state that right off, so it might be the most engaging hour on tv --I wouldn't know. The deal is, they gathered up a bunch of b-list celebrities (most of them former child stars) and made them live in a house together. There's Corey Feldman, we all remember him from his family-friendly movies; Emmanuel Lewis, former star of the tv show Webster; MC Hammer, who refused to rap about bitches and hoes shakin' it in the 'hood, but instead did the soundtrack for the Addams Family movies; and one of the girls from Facts of Life, who didn't watch that show when they were a kid (if you're my age, at least)?
If Dante had built a circle of Hell for people who entertained the whole family to go to when they died, this show would probably be a major part of it. Dana Plato robbed a convenience store and died in a trailer park. Todd Bridges shot a guy while on speed. If you were to drive through West Hollywood, how many former 'family entertainers' could you find who would gladly service you if you provided them with crack?
I don't really know what I'm trying to say here. It's early in the morning and my thoughts aren't fully formed yet. Maybe what I'm saying is that 'family entertainment' is a phase we've gone through as a culture, and now we're done with it. Maybe we'll go through it again. Hell, anything's possible. Maybe there's hope for us. Clive Barker, of all people, has written a children's book. Then again, maybe we're doomed.
In 1983 New Order released their "Blue ...
In 1983 New Order released their "Blue Monday" single. It was number one for week after week after week. I was only eight years old and thought it was the dullest, most boring song I'd ever heard. Every Saturday when I watched "Ready To Roll" I used to pray that another song would be number one, but week after week I had to keep putting up with the boring song. I was more into such delightful pop songs as "Club Tropicana" by Wham and "Uptown Girl" by Billy Joel.
But now I really like "Blue Monday". I can totally appreciate its deliberate blandness. And I don't care much for Wham or Billy Joel. I guess for me pop music was like a gateway drug to the harder stuff.
I'm sure that there will be fans of Rubicon who will seek out Rubicon's influences and start listening to a wider range of music, just like I got into the Pixies when I read an interview where Kurt Cobain name dropped them.
We can't all be like a friend of mine who's been listening to Tool since he was five years old. Simple pop has its place.
[ http://www.secret-passage.com/ ]
ok just an off the top of the head ...
ok just an off the top of the head comment, be prepared for a much longer and serious post later in the day, because for once you have a topic in which I really do know what I am talking about,
Ok try this on for size...
bands make music that they like and hope that others will like it too, are real musicians and are held up as the good
but people who make music to appeal to an particular audiance are sell outs and should be shot on site.
kids like popular culture they like ...
kids like popular culture they like what they see on the telly like rubicon and april lavigne and eminen whether its good or bad THEY JUST WANT TO FIT IN its just a pity that fitting in here is such a narrow band of music it's perfectly normal to go from liking the spice girls one year and marilyn manson the next some people go from wanting to fit in to wanting to rebel -discovering other music is just a normal part of growing up and discovering what you think for yourself or if you want to think for yourself- the people i can't understand are people who don't listen to or make music i think its an essential part of being a human being and kids and grown ups should be encouraged to try all sorts of music