I have been following the Battle of the Bands for a long time now. During this time it always looked to me as if they exploit the bands...and guess what, it's true.
I went to the Wellington Regional Finals. All five bands were awesome.
Olmecha Supreme
Elston Gun
The Stacks
Miss Conduct
Aces High
But I smell a rat, I went to the BoTB website and looked at this:
"Bands must not be currently signed to a record company, or have released more than two albums themselves."
and then looked at the regional winners myspace:
(www.myspace.com/olmechasupreme)
Signed to indie label "Beatworld Records". Now this might be their own label or whatever, so dug a little deeper.
I then discovered their frontman is signed to the label that Rhombus is with, because he was/is a part of Rhombus.
The Quote above is showing Intergalactic Records violating their own Terms and Conditions. Frankly, it's a crock of shit and should not be tolerated.
These Wellington bands paid $50 each to compete, only to have their money "Stolen" by Intergalatic Records. 18 Wellington bands competed, that totals to $900 (Less $50 for the "Regional Winners) $850 they stole from bands.
Not to mention, bands do not get paid to play at the gigs.
Intergalactic Records, and the sponsers who sponser this crap, are frauds and thiefs.
Moving on, time to talk about the actual Wellington final:
Olmecha Supreme were awesome, not very lively or interesting to watch, but awesome musicianship, that and it took them about an hour to setup. Overall Rating 4/10
The Stacks were up after Olmecha and were great. Awesome, dirty, Bluesy rock and Roll. Go the crowd going too. Overall rating 7/10
Elston Gun were musically awesome, hard driven riffs with awesome musical ability, but, still weren't much to look at performance wise. Overall Rating 6/10
Aces High were then on. These guys were insane! Awesome stage act, image and performance. Got the crowd going too. Bit sluggish getting off stage afterwards though. Overall Rating 8/10
Miss Conduct were the last act, took a while to setup, but noticed that was due to Aces High being sluggish taking their gear off. These guys had an INSANE moshpit going, bit too insane for my liking. Awesome Punk/rock/metal riffs that were catchy. Their performance was outstanding and had the crowd going for their entire set. By far, the best band of the night. Overall Rating 9/10
After Miss Conduct had finished they came to announce the results. Their was a deafening chant of "Miss Conduct! Miss Conduct!". Olmecha Supreme were announced the winners, then the crowd got rowdy, i thought there was going to be a fuckin riot!
In the end, I'm new to Wellington so haven't seen many Welly bands before, but will definatly be seeing Miss Conduct, The Stacks and Aces High again. The others just bored me.
Regards


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Basically the BotB is Andrew ...
Basically the BotB is Andrew Featherstones baby, he takes happily takes the money from each band, gets them to play a wednesday night, which I'm pretty sure most venues don't charge the organiser for. They also then keep all the door takings.
Bearing in mind the final 'winner' of this 'competition' gets signed to Intergalactic Records - Andrew Featherstones label. So ofcourse he is only going to pick the band as the winner that he would actually want to sign
This is inevitably a metal/hard rock band- because that's what he's into
I'm surprised bands still enter, but I guess there's fresh faces every year who want to give it a go.
Olmecha Supreme is a Roots, Dub band...
Olmecha Supreme is a Roots, Dub band
Yeah, I've seen them.. the point is at ...
Yeah, I've seen them.. the point is at the end of the competition it will be a hard rock / metal band who wins
my take on the battle Do the bars pay ...
my take on the battle
Do the bars pay for the right to host the battle? apparently yes I hear they were asking $400
Do the bands pay? Yes of course!
Is there a door charge? Yes there is, Does it go to the bands evenly? no they play as many as four gigs for gratis
But you have these judges who although not getting paid still have to have a riser, some booze put on right? yes the bar is expected to pay for their drinks.
Lets say you get to the regional finals you've done pretty well to get there, surely the band should get a nominal prize right? even if it is a $100 rock shop voucher or a bar tab? hahahahahahahahahahahahaha yeah right!
Considering this is a competition and being an employee at coca cola seeing as how I cannot enter a coke competition or my family as in business circles it would be a CONFLICT OF INTERESTS surely employees shouldn't enter, or the bands they manage?
well
there was Naquadah in 2002, they didn't get any unfair advantage but they did enter in Waihi to ensure that was the case, Naquadah are an Auckland band. It backfired because it looked dodgy.
in 2005 Aaron Millar's band 'Slipping Tongue' got through to the nationals- Good on Slipping tongue you say? I do too. Aaron however is marketing manager at intergalactic and I hear someone couldn't help themself on the night of the finals telling judges "there is a fantastic band from the Waikato this year"
Everyone remembers Angelsound? yes they now call themselves Cerveza. Also managed by Millar. It didn't help them as they got knocked out in the semis this year
Remains of a day are a massive heavy rock monster managed by..... Louise at intergalactic. They won this years Lincoln green heat. Louise started managing them after they won last years Lincoln green heat.
But once you've won at a venue you're not allowed to re-enter? I heard an unfounded rumour Tadpole might re-enter but wouldn't have been allowed to? I have heard that too obviously it is not true
Is it fixed? I don't think so. there was the rumour that in 02 Stardrunk told a lot of people they'd been promised a win but no one I know has ever substantiated that, they won because if you squint your eyes and ears a little they look and sound a little like Shihad
Is it true judges have played favourites and let personality conflicts guide them? I don't know but I guess it might happen
Is it true judges marking sheets are available to the bands? Yes it is
Do you know anyone who has ever sucessfully gotten theirs back? Do I don't
for that matter are the categories possibly biased towards a high energy guitar driven format?
Possibly I am pretty sure there are some very slick jazz combos who could clean house but would lose on crowd response when the ring of doom becomes a most pit for the following metal band.
Is it a total rip off? hell no to crappy bands like Moonlight drive and For obvious reasons gigs. No one else would book them.
Is it all about the dollars? I couldn't comment.
The World Battle of the ...
The World Battle of the Bands
"Frankly, it's a crock of shit "
You could have saved yourself a lot of energy and just written that.
and like, dude, in music, the only dude ...
and like, dude, in music, the only dude you should be competing against is like, yourself, man.
Ive been going to the Battle of the ...
Ive been going to the Battle of the bands gigs for a while. Yes I agree that bands that are not that good get eliminated. Hell i'm all for a good dub, roots, reggae, funk or jazz band to win. But we all know that'll never happen.
The point here is Intergalactic Records violating their own terms and conditions. Which they have probably been doing for years running. But hey, As long as bands are entering right?
Only 18 Wellington bands entered this year as far as i see. Hopefully no bands will enter this comp next time. Even though that wont happen.
Apart from the people who know that this "Competition" is a crock of shit, I hope everyone else does.
What I wouldn't give to be able to play Guitar, drums, bass or even sing. Hell, from what I see, making a band is really hard work, and it;s total bullshit seeing hardworking bands get shat on.
"Apart from the people who know that ...
"Apart from the people who know that this "Competition" is a crock of shit, I hope everyone else does."
You know, strictly speaking, if everyone else, knew that it was a crock of shit, then everyone else would be part of the first group (those that know) so that wouldn't leave anyone to be "everyone else" because they would all be in the first group. Yeah.
I thought i would take a minute to ...
I thought i would take a minute to respond to some of the comments.
Let's do some more maths if you want to go there.
How many gigs can a band put on for $50? Four? Three? Two? One?
$50 buys a door person for the night maybe. What about flyers? Soundman? Support bands? Tv Ads? Radio Ads? How about flights to Hong Kong?
Do bands with no profile get their gig mentioned on air on radio? In local papers? On multiple websites?
Let's look at some of the benfits and then think "Is this worth $50?"
A band plays one gig - maye the heat they play has only a few punters watching (most of who are probably band members from other bands competing - who if they like your band and your style will probably end up hooking up gigs with you in the future) and they don't make it through tothe semis. There may have been someone from the local radio or paper who wouldn't have seen your band if you weren't in the competition. The venue might even let you back if they like you. And you have reached a wider audience. The charter of the competition is 'To provide a platform for bands to reach a wider audience.' It is also a business so needs to generate money which is invested back into expanding the event to help bands reach an even wider audience.
If a band makes it through to the national final they would have played to people at their heat, semi final and regional final to up to about 400 people or more. The probably another 400 at the national final and if they win the national final they will play to about 600 in Hong Kong. Plus the countless industry professionals at the gigs. Plus all the PR that comes attached with making it through to the next levels of competition. All this for $50. Worth it now??
And do you think Andrew goes to all the gigs and tells all the judges to fill out judging sheets which will be ignored and a pre determined band is announced as a winner? Most of the judges are there as a favour and would not ever be told who should win. And if they were they would probably refuse to judge.
The point of the competition is to find bands to work with. The best band on the night makes it through as acoording to the judges scores. If the label already had a band in mind that they wanted to work with wouldn't they just sign them and not make them enter the competition?
The comments about the bands who were connected to the staff at Intergalactic - these comments are only half truths and things are a little more complicated than what has been put across.
Have a look at what the label is doing at the moment. Bone Thugs n Harmony, Jaggedy Ann and 8 Foot Satuva are the main acts being focused on at the moment. Only one of these is metal. And do you think that The Twitch is metal? They aren't. And they won last year.
And I am sorry to tell you that Miss Conduct really were terrible in comparison to the other bands on the night. I don't know how they made it through to the regional final. They got the crowd going but they were full of cliches and cheese. They were also very loose and their music wasn't very original. The singer wasn't very good either.
Thank you for you considered reply Mr ...
Thank you for you considered reply Mr Millar, it is appreciated.
I had hoped to kee quiet on this subject as I do believe your competition does serve a fantastic purpose. I also think Intergalactic does itself no favours in certain aspects and in an open forum these things should sometimes be aired.
I am not a musician, have not entered this competition in the past, am a simple oaf who likes to see good bands, please do not take my rebuttal as a sign of an axe to grind.
*you have not challenged the question whether you are charging hundreds of dollars of the venues or that they are expected to put on a bar tab for the judges? is this as good as an admission?
* You also haven't brought up whether marking sheets get returned if asked for. In the interests of transparency not only should these be available for the bands but they should get at least a summary. When I hear rumours at one heat the judges were outside having a smoke while the last band were playing I might take that as sour grapes, if the organization was able to say "No it didn't happen, they have the judging sheets"
right, now toyour points
"How many gigs can a band put on for $50? "
well let me see, four bands at $50 each =$200. each band would have to be really bad, maybe Oligarchy bad, to not bring 6 friends... there will be a number of randoms also. All it takes is time to email all the gig guides 3 weeks out, you could do it in one email if you set up a mailing list... a lot of venues will do it for you. Sound, well lets say that costs $160 for the night for a vocal PA, $200 if you decide to pay someone to stand there 3 hours after setting it up... poster run again time and no more than $10 in photocopying, myspace, websites etc.... nothing. we are $10 down so far yeah? you can always get a friend to do the door for you for $20 of booze- maybe $30 down... but quiet night you get your friends and a few randoms, say 30 people at $7 hmm, you just about break even... 40 people? hey check it out you get your parking back! Any combination of 4 bands not bringing 40 people may be in trouble though yeah?
Flight to Hong Kong- Don't you have sponsors?
"Do bands with no profile get their gig mentioned on air on radio? In local papers? On multiple websites? "
Yes if they are not lazy. 3 years I wrote to a local paper with a story about how a struggling sculptor (myself) was morbidly depressed as my cat was stolen the papers published it even though they must have known i was not a sculptor just a bored stoner on the benefit.
You make good points on the benefits. The only thing i have to ask is, you know Stardrunk? I think you may have managed them once? Is it really worth all the industry kudos when they stop advertising themselves as battle winners on their press kit?
"do you think Andrew goes to all the gigs and tells all the judges to fill out judging sheets which will be ignored and a pre determined band is announced as a winner? "
No I don't. I do believe favouritism is possible and you would not have to look too far past Battle Circus a few years ago. Shmoove if you are around these parts still care to recall who you were up against? Battle Circus were knocked out for lack of originality care to dissect their competition on a point by point basis.
I can name others but it is always going to be subjective..
"The point of the competition is to find bands to work with"
are you admitting Andrew runs the competition as a cattle call for Intergalactic live shows??
"The comments about the bands who were connected to the staff at Intergalactic - these comments are only half truths and things are a little more complicated than what has been put across."
What is not true that Louise works for intergalactic, that they didn't win in spite of this, that it caused an uproar here or that other bands viewed it with suspicion?
Is it true you manage slipping Tongue? is it true I went round Galatos that night whispering to judges "The Waikato band is great" just to be an asshole?
"Do you manage Cerveza Mr Millar? Did Angel once work at area 51 as a cleaner? is it true she was contacting people on behalf of your media sponsor Missing link magazine as she spent time there chasing advertising? Is it true Andrew took Angelsounds bio with him to an industry event as an adjunct to his label a few years ago? is it true Angel's parents wer under employ at the kings arms? please feel free to tell me which is half true, only one parent does the food catering? Angel only cleaned half the rooms?
I am not saying it is dodgy it is just as bad though because it LOOKS dodgy.
I think you have a great competion that in most cases puts the right bands through but Aaron I have to say I think it needs to be a lot more transparent.
Thank you for your considered post.
- Joshua
Hmm, Well I agree that their Singer ...
Hmm, Well I agree that their Singer wasn't that good, and were quite cheesy, But to me it was the way they did it. It was good.
All the bands were good at the final I really did like Olmecha Supreme, I thought they were fantastic.
Everyone had a bit of their own "way about themselves".
I talked to 7 Wellington bands ...
I talked to 7 Wellington bands yesterday. $50 x 4 Bands = $200. Can get a great soundman for $80 and the rest on posters (This is what they said)
And if they're decent bands they said they'd get about $700 over door sales.
Is Intergalactic running out of money or something? to take an average of $700 (Being more for finals as they cost more maybe even $1000-$1500)on the door at every gig, plus I guess you charge the bar for having the competition right? Say $400. 4-5 bands at $50 each $200-$250.
It should be the other way around.
Intergalactic Should pay the venues $500 as courtesy for taking up so many gig dates. Split the door sales 50/50 for themselves and the bands. Entry fee...who knows.
So, 4 heats, averaging $500 in door sales = $2000, 2 Semis averaging about $700 in door sales $1400, and the final ($10 entry) say $1500.
Thats $4900 on average for Wellington alone in just door sales!
Yes it seems that you need ALL the money you can get O_o
Marlowe is my new favourite poster....
Marlowe is my new favourite poster.
//Intergalactic Should pay the venues ...
//Intergalactic Should pay the venues $500
You realise that would set a really bad precedent, right?
Haha, another year of Battle of the ...
Haha, another year of Battle of the Bands, another slew of bitching and moaning on NZM.
I'm really surprised that Marlowe remembers (or did you just do some research?) our show at the Crook a few years back. It was our first show ever and we didnt know shit, but we were pretty confident that we'd at least get through our heat.
The problems that occurred on the night had me seething at the time (see link), and the judges' claim that we lacked originality (watch our latest video mate, see any originality lacking there?!) really stung the most, but in retrospect it was all a drop in the bucket eh.
The upshot of being in that competition was that we were determined to go it alone without any assistance (be it from BOTB, NZ On Air, whatever) and make shit happen. I think the best lesson bands can learn from such an experience is that they need to just rely on themselves and carve their own path.. it's the only way to keep their longevity.
And longevity is a hell of a lot more important than winning a band competition.
I've watched incredibly talented bands (Mystery Liquid for instance) take part in the battles and perform on the Intergalactic live circuit for several years, yet never do anything outside those circles, which is really unfortunate.
Several years ago, Blindspott was knocked out by Mamasaid (who like Stardunk were a really good band that just didnt deliver in the years that followed, even though they tore it up on stage and had great songs... fuck i miss those guys) and look where they are now.
None of the bands that we played with at the Crook that night are still around, yet Battle Circus has more momentum than ever and I'm excited as fuck about what next year holds for us.
We even made up with the soundguy- who now owns Hysteria and is bloody supportive of us, and ironically (again, check the link) enough makes us sound great when we play there.
I guess bottom line is, dont freak out if your favourite band (or your band) gets ousted by reasons or bands that you think are shit. If they're really such a good band they'll use it to fuel their ambitions from then onward. I'm sure Blindspott dont think twice about their BOTB competition these days, I know we dont.
[ external link ]
$50 bucks aint that much to enter is ...
$50 bucks aint that much to enter is it? But why enter? Music is sooo not about competition, or is it? Maybe I am a naiive hippy.
I enterred this battle of the bands comp (i think it was the same one) with my band in..hmmm.....maybe 1998? I don't know but we lost out to Canvas on our second heat thingy. After reading the judges notes we decided to never enter any band comp of any sort ever again as we were so wide of the mark and totally against taking any advice from anyone (at the time, we might be slightly more open now).
Anyway it was a shit experience but I'm still friends with the dudes from Canvas and Dave Benge who was hosting the thing so it wasn't a total loss.
I certainly wouldn't recomend entering any sort of band comp to any young friends with a decent amount of talent. if I can be dick; i just don't thing its cool.
Our band entered a couple of BotBs ...
Our band entered a couple of BotBs about 6,000 years ago. In fact, one of them was organised by Andrew Featherstone.
I found them to be educational: they taught me that I had no musical talent. The judges' comments tried to focus on the positives, which I thought was nice considering we sucked.
Anyway, the main lesson I took away from the contests was that the competition portion of the events were of secondary importance. Some people are going to like tone-deaf noise-polluters and others are going to dislike infinitely talented musicians--it's all down to taste--so the winning or losing of a BotB doesn't really mean much. We came to think of those events as rehearsals with other people there.
I agree with Harsh Bloke, Winning or ...
I agree with Harsh Bloke, Winning or losing doesn't matter. I mean all their after isn't the "Best Band" its "The most promotable" band.
Ok WTF IS THIS? We loved playing at ...
Ok WTF IS THIS?
We loved playing at the Battle of the bands Estanga(sp?) and thought it was a great competition and enjoyed ourselves fully so fuck you for even putting us in your rant or any of the other bands for that matter, they were all great. Now Mr Millar, we don't apprieciate being called "Cheesy and Cliche'" especially since thats what we take the piss out of, so fuck you for being so unprofessional.
/telling off
I once had to apologise to the entire ...
I once had to apologise to the entire school for swearing onstage during the talent quest,
Fuck you I won't do what you tell me..
Now that's ironing
Haha, we got called by Intergalatic and ...
Haha, we got called by Intergalatic and were asked to play. No fee, but now we have 'ELIMINATED' written on some stupid web site.
Awesmoe.
Theoretical question: If you win, do ...
Theoretical question: If you win, do you have to accept the prize?
Having read this thread and the link provided by Schmoove, I notice the same old arguments repeated: "It's a rip-off", "No, if you think of it as a bit of exposure (or a rehearsal), it's fine". That led me to consider: does it say anywhere in the entry conditions that winning bands have to accept their prizes? What if they just want to play in front of some people, but end up winning?
Aaron Millar, in his very considered reply, lists some of the benefits of the BotB as "...probably band members from other bands competing, who if they like [...] will probably end up hooking up gigs with you in the future... the local radio or paper who wouldn't have seen your band if you weren't in the competition... the venue might even let you back if they like you. And you have reached a wider audience. If a band makes it through to the national final they would have played to [...] up to about 400 people or more [...] another 400 at the national final and [...] about 600 in Hong Kong. Plus the countless industry professionals at the gigs. Plus all the PR...
So, what if a band entered because they wanted those things and not to release a record on Intergalactic?
Easy... Read what you sign. They ...
Easy... Read what you sign.
They can't force you to do anything that you are not contractually obligated to do.
I wonder what is written in the contract....
That's exactly what I mean. I ...
That's exactly what I mean.
I assume that Intergalactic undertakes in writing to give the bands certain prizes for certain achievements, but I wonder if they actually stipulate that those bands have to accept the prizes. I also assume that this kind of situation would probably never arise, but I just wonder what would happen...
what great reading this thread has ...
what great reading this thread has been:) all I have to say, is that we 'Naquadah' entered the battle a couple of years ago to have an adventure. And we did! It was the best damn road-trip we ever had. Smoke filled bar - full capacity. Pool cues holding up the curtains in our room, bunks falling apart, and much dodgyness totally unrelated to WBOTB or it's organisers. We just wanted to get our name out there... and although there was much negative publicity regarding our entry in the battle, it was still publicity. We were given no favours, and we only got as far as we did because of our music. We didn't win because we weren't the best band on the night. Musicians who start out and enter these competitions are rarely motivated by money, or where it's going. They are motivated by their music, and their audience. Those who disagree... well, everyone is entitled to their own opinion.
[ http://www.myspace.com/naquadahband ]
i didn't pay and had an awesome night ...
i didn't pay and had an awesome night ^_^