SYDNEY AUSTRALIA: Ed St John, President and CEO, Warner Music Australasia, today announced the acquisition of Festival Mushroom Records (Australia and New Zealand).
Festival Mushroom Records was formed by News Ltd from the amalgamation of the operations of Festival Records Pty Ltd, Mushroom Records Pty Ltd and Mushroom Distribution Services (MDS). Festival Records has been operating in Australia and New Zealand since 1952 and has been part of News Ltd since 1961. Festival has often been referred to as the original home for rock and roll in Australia with the discovery and development of pioneer acts such as Johnny O'Keefe, The Delltones, Olivia Newton John, Peter Allen, Rolf Harris, The Bee Gees and Col Joye & the Joyboys.
Over the next 3 decades Festival Records became the pre-eminent record distribution company representing many international labels. In 1997 a new management team was brought in to Festival and the focus once more moved back to developing and recording Australian artists for the world market. Further international labels gravitated to Festival such as Gut, Almo, Fantasy and Rykodisc/Palm Pictures as well as the Walt Disney Company's catalogue of recordings, including the Hollywood Records and Mammoth imprints.
A key moment in the development of the company was the purchase of the final 50% of Mushroom Records (the original 50% had been bought in the early nineties). Melbourne-based Mushroom Records had become Festival's de facto A&R department, a domestic music powerhouse with a roster that included Paul Kelly, Split Enz, Skyhooks, Kylie Minogue, Jimmy Barnes, Hunters and Collectors and many others. Mushroom also had an impressive track record of attracting international licensors including Tommy Boy and Echo.
Festival and Mushroom have always been synonymous with Australian music and the combined entity has a fantastic catalogue of Australian recorded music and Australian artists. In recent years, under the stewardship of Managing Director Michael Parisi, FMR has forged a new identity with Australian and New Zealand signings such as George, Eskimo Joe, Scribe, Chloe Lattanzi, P-Money and Motorace. Combined with the success of license deals such as Alberts and Disney Hollywood, FMR has retained a clear position in the Australasian marketplace as a home of fresh local talent and innovative marketing.
Warner Music Australia has strong links with FMR. Not only does WMA distribute the label, but they recently appointed two former FMR executives to key positions in the organisation. Mark Ashbridge (former MD of FMR New Zealand) was recently appointed VP, Marketing and Promotions, Warner Music Australia; Michael Parisi (former MD of FMR Australia) was recently appointed to the role of President, A&R, Warner Music Australia - a position he takes up from January 1 2006. The acquisition of FMR by WMA/NZ rejoins Parisi and Ashbridge with their artist rosters and heralds the dawn of a new era of domestic artist development for Warner Music Australia and Warner Music New Zealand.
Commenting on the acquisition, Ed St John said; "We are absolutely delighted to acquire this iconic Australian music company. FMR and its foundation labels have been the home for Australian music since the dawn of our industry. Joined with Warner's own roster of local acts - which stretches from Thirsty Merc and Evermore through to The Whitlams, Cold Chisel and the feelers - and with the creative drive of Michael Parisi, this company will have a leading domestic music division. The growth and continued success of Warner Music Australia and New Zealand is going to be built around the development of a truly outstanding domestic music roster."
Adds Michael Parisi "This is a unique situation, to say the least. Having run FMR Australia as Managing Director, and having just accepted an offer to move over to Warner Music to become President of A&R, I now have the opportunity to effectively keep both jobs. I can continue to work with the many wonderful acts I signed to FMR whilst also working with Warners' roster of artists. I'm really looking forward to working with Ed and his team to integrate the two companies and join our artist rosters."
Warner Music Australia and New Zealand are subsidiaries of Warner Music International - a global creative family boasting many of the world's top recording artists and A&R executives. Via legendary labels such as Warner Bros., Sire, Atlantic, East West and Elektra, Warner Music is today the home of some of the biggest artists in the world: James Blunt, Michael Buble, Craig David, Green Day, Enya, Madonna, The Darkness, Red Hot Chilli Peppers, Simple Plan, REM, Rob Thomas and many more. WMA/NZ is currently enjoying success in the local marketplace with chart and radio airplay results that are virtually unprecedented in the company's history.
The integration of Warner Music Australasia and FMR will take place through the closing months of 2005 and is subject to Warner obtaining an indication from the ACCC that it does not object to the deal. Financial terms of the deal were not disclosed and no announcement has yet been made regarding artist roster or staffing levels.
Lachie Rutherford, President, Warner Music Asia Pacific, comments "FMR is an important independent label. In making this transforming acquisition, Warner Music Australasia is well positioned for the years ahead."
Paul-Rene Albertini, Chairman and CEO, Warner Music International, comments: "Warner Music is committed to the development of the strongest roster of English language repertoire in the world, whether it comes from the US, the UK, Canada or Australasia. In hiring Michael Parisi and acquiring FMR, Warner Music Australasia plugs into a global A&R matrix that is committed to developing global careers. This purchase takes an already strong company and makes it even stronger."
Comments
From amplifier.co.nz-
:"The acquisition will see a large growth in the number of New Zealand bands controlled by Warner Music who currently have Evermore, Anika Moa, Shihad and The Feelers on their books. FMR's local roster includes Carly Binding, King Kapisi, 48May, The Shocking Pinks, The Phoenix Foundation and the Mint Chicks as well as distribution rights for Dirty Records (Scribe, P-Money, Frontline) and Arch Hill (Boxcar Guitars, Fang, Ghostplane). FMR also owns iconic New Zealand label Flying Nun.
In many ways FMR was the last of the true indies operating in NZ and its sale will leave an enormous gap in the local market. FMR has been one of the most active A&R players in for many years."
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// In many ways FMR was the last of the true indies operating in NZ
yeah? haha.
;-)
technically FMR were/is an Independent
A label that leaves a pretty impressive legacy by anyones standards
but "last of the true"?
ahh I'm with ya now, doh.
Yeah, well then perhaps thats - the last of the true independent lables that was owned by a huge corporation, or in newscorp speak "vertically integrated media company on a global scale"
what i'm wondering is whether FMR retain their staff? Those kids do a far better job than anyone at Warners, EMI or sony/BMG. It seems that people like Charlotte Ryan actually give a shit, and LIKE music. Not just in it for the schmoozing. Not that theres even any big budget within the majors for that wining dining and coke off a supermodels nipples cuture anymore. But whether they'll still be allowed to take chances on artists like the Mint CHicks, + the shocking PInks? anyone?
take chances?, both groups produced their own recordings at pretty minimal cost...
[ http://thebigcity.co.nz ]
yeah you're right but bro they never would have got the publicity+ distribution budget if they'd done it themselves. It wasn't an argument over who's indier than who, it was just a concern for some of the few people in a semi-major record company that know anything about music.
_True_ Independents:
Celebrate Psi Phenomenon
CMR
Corpus Hermeticum
1157
Failsafe
fast food (records.co.nz)
hit your head music
jailbait
krkrkrk
monkey
monsterr
powertools
psuedoarcana
stink magnetic
yellow-eye
[ http://thebigcity.co.nz ]
haha...whats the definition? Independently owned and run? Independently distributed? 'Cause there would be heaps more then that.
Ps. What am I? chopped liver? ;)
hey i didn't say it was ALL of them... i dunno, these are all completely independent, except for a little bit of global routes distrib... does lil chief / arch hill / south recordings count? (i'd guess)
[ http://thebigcity.co.nz ]
plus of course capital, intergalactic, old school niche labels like jayrem...
[ http://thebigcity.co.nz ]
i dunno - what are the sale counts like for the mint chicks versus, say - the bleeders or this night creeps? i think a lot of the mint chicks profile comes from their own inventive self-made music videos, plus their incredible live show - as far as i can see flying nun haven't really pushed them much at all!
[ http://thebigcity.co.nz ]
You've probably hit on something there FRAEW, could be an ugly & bleeding gaping nerve-wound of anger & bitterness (but that might just be the Bleeders album I'm listening to...) but in a certain kind of vague and diaphanous way I might agree, why the hell would any label want to push a band around & schlepp their records onto an uncaring public, when the band are perfectly happy in thier work of creating art & music at such a rate that would cause any would-be pushy label to rear back on their hind-legs and howl with guilty pleasure. Or not.
However I do fondly remember that Flying Nun organised a plane circling the Big Day Out, displaying a giant Fuck The Golden Youth banner while the band played in the sunshine. That was cool.
Peace out, I'm Rick James and just making this up, etc.
"Cocaine is one hell of a drug..."
Good show... Chrlie Murphy has some good stories... Rick James, bitch.
"In hiring Michael Parisi and acquiring FMR, Warner Music Australasia plugs into a global A&R matrix that is committed to developing global careers."
FMR, welcome to the matrix!!!
ah, press releases, what poo.