Other than for money - why do people make music these days? Is it all just an expression of ego "I'm so clever, listen to this song I wrote", aren't the emotions that modern music (or even classical) isbased on really about endorphine fueled ego stuff? I love music. the music I like anyway, but it's always about fantasing that I'm up there impressing the pretty girls.
Why do people have emotional resposnes to certian noise?, alternatively aren't the emtions expressed, meloncholy or aggression or longing almost always self pitying crap when it comes down to it? A form or aural masturbation?
thoughts


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You couldn't be more wrong......
You couldn't be more wrong...
I think it is a genetic thing. Its up ...
I think it is a genetic thing. Its up there with our genetic predisposition to feeling the 'holy spirit'. Being able to appreciate arranged noise gave us an evolutionary edge. Music brings people together, fosters a sense of wellbeing and community. Perhaps it came from people doing manual labour together - the music takes your mind off the work, lets the day pass, keeps our brains active when it is not stimulated enough. Its one thing to be the 'curious ape', but if there is no mental outlet the brain stagnates. A good example of music in this sense is the use of marching tunes in the army, and walking in time. Using these techniques people move faster and march for longer.
As to why people like different types of music? I have no idea. Maybe it comes down to what 'community' you unconciously feel like you belong to that is embodied by the music.
//but if there is no mental outlet the ...
//but if there is no mental outlet the brain stagnates.//
music is an emotional outlet, not an intellectual one.
i can think of intellectual music, that ...
i can think of intellectual music, that is dry and un-emotional. the best stuff though is the intellectual stuff that is so intellectual that it ends up being highly emotional. i reckon Eno at his best falls into this category. some fractal stuff as well - i had the good fortune to live with a music theory student who was composing music with random numbers - good grief most of it was plain awful, but some of it was super intense.
//music is an emotional ...
//music is an emotional outlet
There's your answer. Music is self-pitying crap if the maker/listener is a self-pitying crapper. Music is aural masturbation if the maker/listener is a wanker. You get what you give.
A number of people do music with no ...
A number of people do music with no emotional interest in it at all. They tend to be focussed solely on establishing a process, applying the process, and listening to the results. I've read composers who want their music to be exciting (only) in the same way that calculus is exciting.
A lot of the same do not release their music in a form that other people can listen to, as their only reason for doing it is to satisfy their own interest/curiosity. I don't know if anyone who operates like this releases CDs in runs of more than, say, 500, and probably a lot opt for the free-on-the-web approach. I know of two or three shows in Australia that would play music this purely experimental on the radio, but not sure of any in New Zealand. Actually, maybe one on Radio Active.
Maybe you were talking about listening though, rdor.
yeah /./and listening to the ...
yeah
/./and listening to the results//
but what are they listening for? Music is like an emotional language, you can't have non-emotion in it. It isn't maths, nothing like maths, not in the listening, not in the point of it. Every creative endeavor is basically wank, but music, having no point other than to please, is total wank. At least mdoern music is, it's all about ego ie "I've feel this or that feeling and I wan't others to feel it too". From a musicians point of view it's trying to bring out emotions in others for your own personal satisfaction, from a listening point of view int's wallowing in self pity, rage, lust, whatever.......... It isn't 'pure' or scientific in any way,.
don't get me wrong I like what I like ...
don't get me wrong I like what I like as much as anyone. It's just realising that not matter how good Marvins songs are, he just being a giant wanker. And so am I by listening to it and imagining me doing it and getting all the ladies to like me. The total emotional indulgence of (good) music probably explains why more men are more heavily into music, both in its listening and creation of, than women. We're a less mature and our minds rovolve totally around ego, self love. Kind of embarrasing really.
regardless of your self love rdor, why ...
regardless of your self love rdor, why do you draw such a line with aural masturbation when verbal masturbation is one of your favourite digs
//verbal masturbation is one of your ...
//verbal masturbation is one of your favourite digs//
so true but I never drew any line.
so why pretend this thread is about ...
so why pretend this thread is about music when it clearly revolves around wanking in general
becuase I'd rather restrict it to ...
becuase I'd rather restrict it to music for discussions sake. The topic could be 'Is human creativity wank?" but that's too general. Your right in that all unneccesary words and expressions humans make are based on ego, the freudian super ego - the male one anyway, that kind of thing, like what I'm typing right now, I want you to think I really perceptive and intelligent, it's all toss. Also pointing it out in other things/other people makes me feel better.
so tell us about your creative ...
so tell us about your creative experience, personally i think there are more reasons than the ones you sight
and cite...
and cite
such as iluvtheclean says- 'to convey ...
such as iluvtheclean says- 'to convey something'
to communicate and share
I have no creative experiences, I ...
I have no creative experiences, I s'pose you'll jump in there and say "well how would you know what people think?" to which I say I just know. I know they know too. It's in the music, in the purpose, music is an expression of the human ego. Let's discuss that and not trade jibes.
personally i'd like you to explain ...
personally i'd like you to explain this 'ego' concept in a little more detail before commenting, it's a convenient and unquestionably negative word in this day and age, but what do you mean precisely,
blah self-love and ego - that others ...
blah self-love and ego - that others hear you and think things about you is not the point of creating music. sure, it's important and sure, music is communication, but it's not why people feel the urge to make music. many people feel like they can't stay sane or live without the tunes in their head. i've got friends who write at least a song a week, and if they weren't able to do that they would go insane. i'm not like that, but my thing is when i hear a tune in my head, my joy is getting it out from my head into a separate existence, independent from me. i wanna do the tune in my head justice when i give birth to it. like a woman, duh.
sure it's nice if people hear it, but i don't make music for others, and for many people, they don't make music for other people, they do it and i do it because it pleases me to make something, and make it well when it comes out.
there's an ego thing in there, but it doesn't depend on other people. there's a thing in creativity that doesn't depend on communication to others, but the buzz kinda comes from the bringing about of something. it just feels good to create, it's that simple. i mean, heaps of artists were reviled when they made stuff (Van Gogh being a famous example) but often they keep on doing it, because they are driven to, though the product they create might not put food on the table or get them groupies. creativity is a drive, i don't think the object is to please or seduce others. it just feels good when it happens. easy. foetusboy's Schopenhauer quote below nails it. feels good = might be about pleasing yourself, but creativity seems so tied to living and being human and all that = not a guilt thing.
If music ever started making me feel ...
If music ever started making me feel like it was all about ego, etc etc then I'd give it up- for a week or two, if I could stand it- I'd recommend you turn off your radio, MP3 player, walkman, whatever and deliberately starve yourself of any music.
//personally i'd like you to explain ...
//personally i'd like you to explain this 'ego' concept in a little more detail//
the ego, sense of power, affirmation, is the mental process that causes endorphins to be released in the brain. We want endorphins, like a drug. We are addicted to our egos like we are drugs. Self indulgence, power over others, power to make others feel the way you do, to like you, regard from others, getting girls to like you (reprodctive sucess), all are hotwires to endorphins.
//the ego, sense of power, affirmation, ...
//the ego, sense of power, affirmation, is the mental process that causes endorphins to be released in the brain. We want endorphins, like a drug. We are addicted to our egos like we are drugs. Self indulgence, power over others, power to make others feel the way you do, to like you, regard from others, getting girls to like you (reprodctive sucess), all are hotwires to endorphins.
That doesn't make any sense at all. Drugs and exercise are infinitely better endorphin triggers. People that are hopelessly addicted to an endorphin rush wouldn't waste their time trying to get their rocks off over music.
...as for the feelgood factor - rdor, ...
...as for the feelgood factor - rdor, when you do well in school or do something nice for someone else your brain also releases endorphins, so by your reasoning it follows that helping people out is also an ugly, petty ego-trip.
So does that mean that we should scorn those that do good turns for others, since they're indulging their animalistic addiction to feeling good?
Why should stuff that makes you feel good be "pathetic"? Has it ever occurred to you that maybe it's a good thing to feel good sometimes?
I was just thinking this has gone down ...
I was just thinking this has gone down the path of the argument for egoistic primacy, i.e. that all actions are motivated by self-interest. The dumb thing about that is if it's true, it's utterly irrelevant. It's unavoidable, it's morally neutral (we are all just as good or bad in this respect), and it doesn't help predict anything.
Oops, meant to say, if music's the ...
Oops, meant to say, if music's the same, then this is all just as irrelevant. It would also be as easy to argue that we're motivated by a fear of spiders or something... has the same "I just know" factor to it.
//...as for the feelgood factor - rdor, ...
//...as for the feelgood factor - rdor, when you do well in school or do something nice for someone else your brain also releases endorphins, so by your reasoning it follows that helping people out is also an ugly, petty ego-trip.//
I think every non essential action or thought is driven by brain chemistry and the the desire for state of comfort and satisfaction. People are 'good' only because it makes gives them a buzz, they want to feel like they are a good person. But as for music, yeah you're a smart cookie, endorphins probably aren't the primary cause, they'd be more associted with short term responses to pleasure, like after a run, sex, or food. There are probably a combination of hormones involved in making one feel liked and/or respected, or powerful in the long term. And the music itself must stimulate our brains, illiciting these feelings. Otherwise why listen to it?
er, repost //...as for the feelgood ...
er, repost
//...as for the feelgood factor - rdor, when you do well in school or do something nice for someone else your brain also releases endorphins, so by your reasoning it follows that helping people out is also an ugly, petty ego-trip.//
I think every non essential action or thought is driven by brain chemistry and the desire for a state of comfort and satisfaction. People are 'good' only because it gives them a buzz, they want to feel like they are a good person. But as for music, yeah you're a smart cookie, endorphins probably aren't the primary cause, they'd be more associted with short term responses to pleasure, like after a run, sex, or food. There are probably a combination of hormones involved in making one feel liked and/or respected, or powerful in the long term. And the music itself must stimulate our brains, illiciting these feelings. Otherwise why listen to it?
You have conceded music exists that was ...
You have conceded music exists that was not listened to or created due to ego. What has changed? How can you tell this change has taken place?
music is like the male peacock ...
music is like the male peacock displaying his feathers to the female , "look at me, look at what I can do, don't you want me now?" Illuvetheclean has some points, but why exactly would anyone need to express anything creatively ? we don't just have feelings for no reason.
According to what? I don't know any ...
According to what? I don't know any evolutionary theories that suggest everything exists for a reason. I know you're an atheist. Why do you think feelings have a purpose?
it's not about the self, not all the ...
it's not about the self, not all the time. the music i like best is the stuff that feels like perfection, absolutely sublime. it creates that feeling that you have when you "get" something, when you realise something, or solve something - epiphany. like those actions of realising/solving, but brilliontrillion times more intense.
some songs on my high rotate list i find so unbearably good - change a note or the level of volume and the whole tune risks falling away from being perfect, but that's part of the attraction - the knife edge and balancing act of some humans expressing stuff, and whether it comes across and turns on the epiphany centre of some listener's brain.
the best stuff i like is where the song just conveys immensity, and as a listener you can hardly contain or comprehend the absoluteness. the thing being experienced by the musician, and wonderfully conveyed to the listener seems to be a universal thing - the musician is telling me something about a principle, a truth, an experience that everyone feels. i like stuff like that, but i'm a Romantic in the head (as in perception theory/constitution of the world, not as in Mills & Boon).
i especially like songs that struggle to get that feeling across - as though the process is more important than the result/single/tune, but that might be because i'm a musician. i love low-fi because of that - the medium struggles to contain the message/meaning/immensity. might be why i hate high-produced music ...
though that sounds high falutin', i just love loud crunchy rock music, and have often wondered why - i like stuff that sounds like a force of nature. i hate hallmark-card based sentiment in music.
as a musician, who gets up in front of strangers, the same things apply - there's a sublimity that might/can occur when you are in a band:
you're crafting the tune,
it struggles between the members of the band,
but everyone juggles and does their bit,
and you listen to the others as they shape along with you,
all on the knife-edge together,
but it's not just about community and hangin' with my p's - i'm in a band with four others, but there's this Big Fifth Thing, a transcendent all-present infinity that we create -
best of all is when the audience gets it too - though they are listening they experience the juggle knife-edge disciplined creative act along with us, as if they were doing it too - when they clap and get starry-eyed, you know they've done everything along with you but pick up an instrument and play along with you. that is a cool thing.
this ramble may very well be underwritten by my current high falutin' work/thesis. but it's also informed by my experience of playing along with some people, particularly one person - whatever he plays, i know where he's going, and whatever i play, he knows where i'm going, but it all happens in the moment of an informal jam - if you pulled us apart and made us sit down and answer questions about it, we would have no idea. you have to be within the Matrix, heh.
that's my second big buzz - expectations confirmed, but delivering a big surprise. like winning lotto every second. i'll go somewhere in a song, and the others will know what is Suitable out of an infinity of options, but it will be a surprise to us all, but will perfectly fit into a huge wanting potential abyss = abyss crossed at last minute. if it's done very loudly, it makes the potential for mistakes to be even more = risk but intenser feeling.
sorry, i do go on, but this is why i like music and like playing it and i've thought about this a lot and reckon this is the answer for me.
soundtrack to the above super-waffle ...
soundtrack to the above super-waffle should be Superette's Tiger album, heh. loud of course.
That was a great read. I love hearing ...
That was a great read. I love hearing people talk about their music, particularly when they put the technical stuff aside.
/the best stuff i like is where the ...
/the best stuff i like is where the song just conveys immensity, and as a listener you can hardly contain or comprehend the absoluteness.
That's gold. That's what draws me back to the same track repeatedly, this sense that there's a whole world that's being hinted at within the music, and with each consecutive listen it reveals more of itself to you...
yeah, good art is like that. a good ...
yeah, good art is like that. a good book/painting/photo bring a world of their own into being. had a rave about 'Dune' in the weekend that made me think this - but not so to my companion who didn't get past the first book. 'Star Wars' was like that, but then Lucas started filling in all the details - it worked so much better when the individual watching it could do it for themselves. it seemed infinite then, but he reduced it by explaining stuff.
Or when apparently conflicting ...
Or when apparently conflicting emotional ideas find harmony in the same piece of music, that's so much more like real-life to me, you know- hardly anything is pure happiness or pure sadness, sometimes one event can trigger half a dozen emotional responses simultaneously, and some of my favourite music 'bottles' that sensation...
yeah, the process and struggle is just ...
yeah, the process and struggle is just as appealing as the end product, even if it's a feature of the end product. i'm so tempted to start raving about Aristotle - he nailed all this - most people know about his theories of catharsis, but he proposed a whole lot of other aspects to creation - resolving disparate elements into unities (even if the resolving doesn't happen), blahdy blahdy blah ...
//yeah, good art is like that. a good ...
//yeah, good art is like that. a good book/painting/photo bring a world of their own into being. had a rave about 'Dune' in the weekend that made me think this - but not so to my companion who didn't get past the first book.
That's not to say that I didn't think that Herbert was successful in creating a world that came to life for me, because he did, and it was fascinating to read him straight after Eddings. I just didn't feel that inspired to read more, but after your little rave of Saturday, I will - although he has Joyce to contend with as a creator of an external and internal world!
//why do people make music these ...
//why do people make music these days?
I guess because they want to, sure if you reach a certain success level money gets involved, but I personally think the minute you start doing ANYTHING solely for money, get out and find something else, becuase that means you arent enjoying it and you arent doing it for the right reasons.
If you love music, its natural to want to make music, without that love its pretty heartless and theres no emotion in it.
"all you need is love"
For any musician there would be nothing ...
For any musician there would be nothing more satisfying ( I am assuming this here correct me in im wrong) than nailing that riff or solo or drum track or bass line, or at a live gig seeing people in the crowd singing YOUR lyrics and basically going mental in a mosh pit or whatever to music that you have made.
Basically pouring your heart out through musical notes and lyrics, getting some sort of message across in a song and having people listen to it would be pretty damm awesome.
That would be why I would want to make music...but of course theres always the throwing of televisions out of hotel rooms and all that kind of shit too
(lightbulb) dantheman, I think you ...
(lightbulb)
dantheman, I think you just nailed it, pretty much by saying the same thing as rdor - most people make music as an expression of emotion. Difference is that rdor seems to think that emotions are ugly shallow things that should be quashed, whereas you're suggesting - and I agree - that that's the great thing about music.
If someone writes a song about how they love getting the girls, or nobody knows the trouble they've seen (whether it's because they were brought up poverty-stricken and abused, or because their parents grounded them) - so what? That's great! And if people can relate, then that's double-great.
Fuck, man- why do anything?...
Fuck, man- why do anything?
Ok that was a little ...
Ok that was a little dismissive.
I've bought some new cds lately- 'Our Shadows Will Remain' by Joseph Arthur, and 'The Back Room' by Editors.
Heard one track from each on XFM, my ears pricked up, I searched for & downloaded some samples to whet my appetite, then felt absolutely compelled to own the albums for myself. Joseph Arthur is an absolute genius, incredibly talented singer and songwriter, damn, the whole package. Editors have a track called 'Bullets' that's just gourgeous, and the album is just as brilliant- I could listen to it again and again and never ever stop nodding my head in rhythmn & enjoyment & agreement & uncontrollably, really- cause that's the effect good music has on me, you know, it's the perfect language- no translation process necessary- music plays, we respond emotionally to it. I love music to bits.
Translation: Consumer sees product and spends income to acquire product. Capitalist society functions as normal.
Rdor, you should try reading some ...
Rdor, you should try reading some Schopenhauer.
:"Music does not express this or that particular and definite joy, this or that sorrow, or pain, or horror, or delight, or merriment, or peace of mind; but joy, sorrow, pain, horror, delight, merriment, peace of mind themselves, to a certain extent in the abstract, their essential nature, without accessories, and therefore without their motives. Yet we completely understand them in this extracted quintescence. Hence it arises that our imagination is so easily excited by music, and now seeks to give form to that invisible yet actively moved spirit world which speaks to us directly, and to clothe it with flesh and blood, i. e. to embody it in an analogous example."
[ external link ]
I've had a think about this before ...
I've had a think about this before posting it- I've been thinking about it for a while, actually- but there are aspects of the creative process that seem to be boxed in by ego.
I mean, as a musician/songwriter, I'm reluctant to interfere too much with what I consider the 'core' of a song, that moment of inspiration where the first noise happens that suggests all the other noises, suggests the entire direction of the song: there's something pure about that initial idea, and I put invisible police-tape around the area and seal it off from others. It's not something I'm consciously aware of doing, but I know I do this because of how I react when someone enters that no-go zone and starts messing with it- both as a songwriter and a musician.
Rather than open my mind up to the alternative possibilities of what they're able to contribute, I sometimes close down, usually feeling as though they don't get it, that they're missing the whole point. There's some room for compromise when the contribution is harmonious with the original idea, but sometimes they're just opening up a whole new universe with what they're doing; it's as though they haven't listened to the initial idea at all. These days I just grin and say 'let's move onto the next song now, eh?' like recenty when the bassplayer in my band tried turning my drone-bassed moody guitar piece into a reggae song...
Is this my ego, their ego? Am I just missing the point, or are they? Would a better creative artist be more liberal/flexible, or more resolute? Would a better musician respect the original idea, even if they thought they had something more valuable to contribute? Where does this sense of ownership/responsibility/creative boundaries come from, if not from ego? Am I confusing ego with a sense of direction, or conflicts of direction? There's probably a bit of truth in every angle you look at it from. But the phrase 'nah, you don't get it' suggests some sort of hierachy and a judgement based on it- I'm quick to point it out in others, but am I as aware of it in myself?
blah balh you're not getting it. ...
blah balh you're not getting it.
If you can prove to me that music, or art, is about more than gratification, then please do so. Everything is gratification, but music especially because it has no reason to exist other than to make us foeel good about oursleves. Sure maybe some people listen to classical simply because it's relaxing, but modern music is all gratification, ego expression of feelings.
//but music especially because it has ...
//but music especially because it has no reason to exist other than to make us foeel good about oursleves
You're the one coming up with the hypothesis, I think it's up to you to do the proving or otherwise
rdor - i'm not sure you'll understand ...
rdor - i'm not sure you'll understand where we're coming from until you sit down and create something. and you can go sit down and have a go. it does involve gratification, and if that's all your obsessed with finding, then, end of argument.
but you need to realise that 90% of it is struggle and frustration, often leading to no good feelings or ego-smugness.
if you go sit down and start humming a tune of your own doing, put some words to it, you won't necessarily feel happy with yourself or think that you've established your self or ego somehow.
people may hate what you create, but the drive is there anyway, and you may forever be frustrated that what comes out never matches the perfection in your head, but the drive is there.
it's an urge that never gets completely satisfied - and often the urge is the point, not the satisfaction of the urge, or the feeding of it, or the urge to put your ego out there and be liked for it. it's just an urge to create.
i get what you're saying though - a lot of music seems to be about self-promotion and ego, but that's a big generalisation that doesn't cover the simple urge to create. which is often unrelated to the urge to be liked. but you can have both, and you can have either/or. but to assume that all creativity comes under the urge to put your ego out into the world Like A God and be liked is hugely funny to me and hugely reductive.
Hang on, you're the one making the ...
Hang on, you're the one making the assertions, the onus is on you to back up what you're putting forward. You're either ignorant of the variety of contemporary music or you're being wilfully contrary.
I was going to write a huge list of names of people making music at the moment that I was sure you'd never heard of and ask you to confirm or deny how they match your theory, but that's probably being a bit contrary too. Suffice to say, you don't seem interested in actively seeking out music and listening to new things, so I don't see why you can assert things about the state of modern music with such authority.
If you are interested, I will list some artists that I don't think fit your assumption that "modern music is all gratification, ego expression of feelings" and try to explain why.
for example I can think of plenty of ...
for example I can think of plenty of individual tracks by popular modern artists that don't seem to have been conceived as a means of making the artist or the listener feel good about themselves. Have you heard the last Killing Joke album?
//Have you heard the last Killing Joke ...
//Have you heard the last Killing Joke album?//
Near perfect example, amost as good as Joy Division. Melancholic self pity DOES make people feel good, perhaps even more ego driven than 'happy' music will, I mean how clever is to acknowledge the morbid side of things, to show others that you are *aware* and and self conciouse and so deep becuase of that. Worthy of respect. You also get to wallow in it and gain satisfaction form making others feel like shit for a moment, if in fact the msuic is good enough to have that effect.